Here’s the project – and money’s no object: build a place away from work and home where you can just get away from it all, surround yourself with your friends, do what makes you happy and stay there forever. If you were a Nguyen emperor of Vietnam you did exactly that and included artificial lakes, islands, palaces, temples, gardens, courtyards, and, of course, your tomb and that of your wives. They were simply following a long tradition of emperor worship both to solidify the continuity of the dynasty and take their place as an ancestor of the nation. The Nguyen emperors certainly did it in style constructing virtual country estates to pass relaxing hours painting, eating and escaping the pressures of State both in this life and for the afterlife.
Minh Mang (1791-1841) and his grandson, Tu Duc (1829-1883), 2nd and 4th Nguyen emperors, created lush forested landscapes with paths, streams and lakes. It easy to feel comfortable here for eternity.
Tu Duc spent many quiet hours in the Xung Khiem Pavillion (upper right, 1865) looking out on the lake and at the boat landing to the temple (bottom left) playing music and writing poetry. He was a prolific poet. The grounds contain a lovely tomb to his first wife, Empress Le Thien Anh, and burial spaces for many of his additional 103 wives.
Khai Dinh (1885-1925) 12th. Nguyen Emperor, was less than 5 feet tall, slightly built and unpopular because of his Francophile leanings. In the 1924 play, The Bamboo Dragon, by a young revolutionary, Ho Chi Minh, Khai Dinh was ridiculed for being all pomp and no substance, but he did knew how to impress.
Rather than spread out over a park-like setting, the compact tomb complex is built on top of a forested hill surrounded by steep hills overlooking the Perfume River. The design elements are a fusion of traditional Vietnamese features with late 19th century French baroque. The exterior has a somber countanence because the palace was constructed in concrete made with the Perfume River’s volcanic gray sand so has leached a gray/black discoloration.
Yet the interior is an explosion of gold, blues, reds, fuchsia, pinks, greens – all tile and glass mosaics covering every nook and cranny of the walls and ceilings. Dragons, birds, flowers, tables, vases, trees all are depicted in excruciating and fanciful detail, many in 3-dimensional compositions. The craftsmanship is unparallel for mosaic art glass. The Emperor reigned for only 9 years but it took 12 to build his tomb – 1920-1932. Khai Dinh died as he lived, over budget. A special tax had to be levied for the tomb’s completion.
The opulent tomb of Khai Dinh is the last in Vietnam’s Imperial history. His son, the Emperor Bao Dai (1913-1997) abdicated the throne in 1946 and died in exile in France. Perhaps it’s karma that the last tomb should be that of an unpopular monarch since the dynasty started out on that footing.
The first Nguyan Emperor, Gia Long (1762-1820) was fearless, feared and unpopular. He forced Vietnam’s feuding lords to bow to his unified empire, moved the capital from Hanoi to Hue, built the Imperial City and raised taxes to pay for it all. Worse, he gave France its first foothold in Indochina, a circumstance of war he later regretted but the nation never forgave. As the founder of an empire, Gia Long knew exactly the importance symbols were for dynastic continuity represented by the worship of Imperial ancestors – the fathers of the nation. His tomb set the pattern – constructing small versions of the Imperial City for the eternal pleasure of the souls of the nation.
Ironically, his tomb is the furthest south of the city and even the taxi driver had to ask several times for directions. Stopping on a dusty street outside the dilapidated walls of a small old temple, I’m told to go through a creaking wooden gate. Walking across an empty dusty yard through another gate down a path alongside a farm plot I spy the virtual ruins of the great Emperor’s final resting place. It’s overgrown with weeds and the dogs are barking from the adjoining farm. I feel a pang of melancholy as I look out on the overgrown field and feel sorry that I didn’t visit the Tomb of Ho Chi Minh in Hanoi (although cremation, not mummification, was Ho’s last wish). Gia Long struggled against major odds, seeing most of his immediate family killed as a boy, before creating an empire he ruled till his death. Not much different than Ho Chi Minh. Yet even if Gia Long’s tomb is in disrepair, his ancestors, his descendents – and now those of Ho Chi Minh – are all part of Vietnam’s collective soul.
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