Tag Archives: Imperial Tombs

In Rediscovery: Huế, Việt Nam

(top) River park, Dragon boats for hire, (bottom) Imperial City Citadel, house boat on the Perfume River
laughing Buddha at Thien Mu Pagoda

There has been a river port on the Perfume, just a few miles inland of the Pacific, at least since the early 14th century. The unpredictable river has intertwined for 650 years with Nguyen dynastic intrigue to inexorably shape the modern city. Hue exudes a less frenetic pace than Hanoi – although the cyclo and tourist boat drivers are just as “persistent.” It’s a city with an attitude: “I’ve seen it all before, several times, so let’s move on.” Besides, the river moves on regardless fertilizing the farms, and frequently cresting its banks creating destructive floods even the Imperial City cannot defend against.

 
 
Before the Vietnam War’s 1968 Battle of Hue severely damaged the city, graceful French Colonial villas blended with ancient Confucian/Buddhist architecture. Much of that is gone, replaced by functional late 20th century commercial whatever. A loss? Of course, but, of course, before the French  it was all Confucian/Buddhist, and yet there was that earlier Champa period and …
keeping one foot in each of three centuries

 

within the Imperial City

A four day visit is not sufficient to prove, but I have a hunch that Hue has not rediscovered its role in 21st century Vietnam – and I’m not sure they’re all that concerned. In the old commercial city on the south bank of the Perfume, Hue is still a maze of narrow streets but with few pre-1970 buildings. Many charmless new narrow 5 to 6 story hotels and condos are classically jumbled along with cafes, shoe shops, clothing stores, spas and the postcard vendor. Only a few shops noticeably cater just to tourists. Perhaps that’s because most sites for visitors are outside the city or on the north bank, such as The Imperial City.

Han Chen Temple (current temple 1885) - 5 miles north of Hue on the Perfume River - dedicated in the 8th century to Cham goddess Po Nagar
Thien Mu Pagoda

Nearly equidistance between Hanoi and Saigon, Hue has been a meeting ground of the nation’s great cultural institutions. Confucian and Chinese Buddhist Vietnam in the north blended with Khmer/Champa Buddhism from the south and both have dealt with the French legacy of Roman Catholicism. Yet even under the Confucian Court of the Nguyen emperors, and the Socialist Republic, Hue’s mascot has been the 1602 Buddhist Thien Mu Pagoda. As in all Vietnamese cities, both Confucian and Buddhist temples built through family patronage, to publicly honor ancestors, can be found tucked away on many streets.

Roman Catholic Cathedral, shrine to the Virgin Mary
fresh coconuts full of cold cocnut milk - make a hole in the peeled top, insert a straw and enjoy!!

It is convenient to walk along the landscaped river park on both banks of the Perfume River and cross either one of two bridges that connect the Imperial City with downtown. “Convenient” as long as being comfortable with the traffic, the lack of crossing lights, stop signs and constantly being asked if you want to ride a cyclo or buy something. Otherwise, metered taxis are common and inexpensive – a couple of dollars between the Imperial City and any downtown hotel. Excursions to the Imperial Tombs and boat trips on the Perfume River – both highly recommended – should be made through your hotel (more likely to get a better boat at a fair price). I prefer the freedom of not traveling with groups. A private car and driver for a four hour excursion to some of the more remote tombs was US$30. A private dragon boat for a 7 hour trip on the Perfume River stopping at tombs, monasteries and a Garden House was US$20. Rates are less if you join a group.

local "pets:" (left) water buffalo, wooden horse at Han Chen Temple, a temple dog, (bottom) shrine to honor horses, bull elephant at the Imperial City
courtyard Hotel Morin Saigon

 

Hue has several luxury hotels including the newly restored venerable Hotel Morin Saigon (1904) starting at $100/double. Although featuring the comforts of a 5-star hotel with an attractive pool/garden/cafe courtyard, it possess all the sterility that goes along with such venues. There are many excellent small hotels offering much better service than their 3-stars would indicate. Although at a rate that would make most Western tourists think twice, the US$35/double per night including buffet breakfast Orchid Hotel on Chu Van An Street in the Old City was not only the best hotel at that price in which I have ever been a guest, but a fine hotel by any standard.

Orchid Hotel and breakfast

Clean, modern with a staff that would never even let you push the elevator button, the Orchid’s rooms were large providing ample closets, a spacious bathroom and a desk with a high-speed desktop computer included in each room! Hue traditionally is known for its Imperial Cuisine which, unfortunately, I found in few restaurants. The Orchid only serves breakfast offering an excellent selection of  items typical of Hue – chicken balls rolled in flaked green rice, fried rolls stuffed with vegetable/meat mixtures, banana pastry with caramel sauce and an incomparable Beef Pho, the Vietnamese breakfast noodle soup. A large selection of fresh fruit – including tropical varieties such as whole passion fruit –  baguettes and Western dishes rounded out the buffet.

Am Phu Restaurant

Many decent restaurants are found in the Old City all within easy walking distance of most hotels.  Confetti Restaurant & Art Gallery and the Tropical Garden, both on Chu Van An Street, offer well prepared standard Vietnamese food in pleasant surroundings just like the majority of the area’s venues that are patronized by tourists. Yet there are lots of small places filled only with locals with menus not written in English, but, I’ll be blunt, the sanitation methods I can see frequently make me dubious. Getting a recommendation from your hotel for local restaurants is a must or else I’d never have eaten dinner at Am Phu Restaurant a bit further down Chu Van An Street.  A calamari dish with greens, peppers and cilantro and light, moist coconut batter fried shrimp were as fine as in any dining room except I was sitting on a plastic chair under fluorescent lights with a TV soap opera playing. Dinner for 2 with beer was less than US$10.

street shoe repair man

 

Pastry, towel art  and Swan boats on the Perfume River, shade trees and gardens, ancient tombs and palaces, markets and street merchants, mountains and house boats – they were all here 500 years ago and, despite the history Hue’s helped shaped, they’re still here today waiting to be rediscovered.

who does not like swans?

Perfume River After Life – the Nguyen Tombs

Monk in contemplation at the tomb of Emperor Tu Duc

Here’s the project – and money’s no object: build a place away from work and home where you can just get away from it all, surround yourself with your friends, do what makes you happy and stay there forever. If you were a Nguyen emperor of Vietnam you did exactly that and included artificial lakes, islands, palaces, temples, gardens, courtyards, and, of course, your tomb and that of your wives. They were simply following a long tradition of emperor worship both to solidify the continuity of the dynasty and take their place as an ancestor of the nation. The Nguyen emperors certainly did it in style constructing virtual country estates to pass relaxing hours painting, eating and escaping the pressures of State both in this life and for the afterlife.

Dai Hong Mon temple at Emperor Minh Mang Tomb

Minh Mang (1791-1841) and his grandson, Tu Duc (1829-1883),  2nd and 4th Nguyen emperors, created lush forested landscapes with paths, streams and lakes. It easy to feel comfortable here for eternity.

Tomb of Emperor Minh Mang - constructed 1841 - 43

 

the Tomb of Emperor Tu Duc - constructed 1864-67

Tu Duc spent many quiet hours in the Xung Khiem Pavillion (upper right, 1865) looking out on the lake and at the boat landing to the temple (bottom left) playing music and writing poetry. He was a prolific poet. The grounds contain a lovely tomb to his first wife, Empress Le Thien Anh, and burial spaces for many of his additional 103 wives.

(upper left) incense sticks for sale, (lower left) Mandarins to serve the Emperor in the afterlife, (lower right) protective Naga on the stairs to the burial chamber at Tu Duc

Khai Dinh (1885-1925) 12th. Nguyen Emperor, was less than 5 feet tall, slightly built and unpopular because of his Francophile leanings. In the 1924 play, The Bamboo Dragonby a young revolutionary, Ho Chi Minh, Khai Dinh was ridiculed for being all pomp and no substance, but he did knew how to impress.

The Emperor Khai Dinh's burial chamber: life size statue with jade sceptre

  Rather than spread out over a park-like setting, the compact tomb complex is built on top of a forested  hill surrounded by steep hills overlooking the Perfume River. The design elements are a fusion of traditional Vietnamese features with late 19th century French baroque. The exterior has a somber countanence because the palace was constructed in concrete made with the Perfume River’s volcanic gray sand so has leached a gray/black discoloration.

ancestor altar and exterior: Tomb of Khai Dinh
Emperor Khải Định (1885 - 1925)

Yet the interior is an explosion of gold, blues, reds, fuchsia, pinks, greens – all tile and glass mosaics covering every nook and cranny of the walls and ceilings. Dragons, birds, flowers, tables, vases, trees all are depicted in excruciating and fanciful detail, many in 3-dimensional compositions. The craftsmanship is unparallel for mosaic art glass. The Emperor reigned for only 9 years but it took 12 to build his tomb – 1920-1932. Khai Dinh died as he lived, over budget. A special tax had to be levied for the tomb’s completion.

details of the 3-D glass mosaics at Khai Dinh Tomb

The opulent tomb of Khai Dinh is the last in Vietnam’s Imperial history. His son, the Emperor Bao Dai (1913-1997) abdicated the throne in 1946 and died in exile in France. Perhaps it’s karma that the last tomb should be that of an unpopular monarch since the dynasty started out on that footing.

Emperor Gia Long

The first Nguyan Emperor, Gia Long (1762-1820) was fearless, feared and unpopular. He forced Vietnam’s feuding lords to bow to his unified empire, moved the capital from Hanoi to Hue, built the Imperial City and raised taxes to pay for it all. Worse, he gave France its first foothold in Indochina, a circumstance of war he later regretted but the nation never forgave. As the founder of an empire, Gia Long knew exactly the importance symbols were for dynastic continuity represented by the worship of Imperial ancestors – the fathers of the nation. His tomb set the pattern – constructing small versions of the Imperial City for the eternal pleasure of the souls of the nation.

Tomb of Gia Long

Ironically, his tomb is the furthest south of the city and even the taxi driver had to ask several times for directions. Stopping on a dusty street outside the dilapidated walls of a small old temple, I’m told to go through a creaking wooden gate. Walking across an empty dusty yard through another gate down a path alongside a farm plot I spy the virtual ruins of the great Emperor’s final resting place. It’s overgrown with weeds and the dogs are barking from the adjoining farm. I feel a pang of melancholy as I look out on the overgrown field and feel sorry that I didn’t visit the Tomb of Ho Chi Minh in Hanoi (although cremation, not mummification, was Ho’s last wish). Gia Long struggled against major odds, seeing most of his immediate family killed as a boy, before creating an empire he ruled till his death. Not much different than Ho Chi Minh. Yet even if Gia Long’s tomb is in disrepair, his ancestors, his descendents – and now those of Ho Chi Minh – are all part of Vietnam’s collective soul.