The Tampa Bay area’s premiere culinary event, the St. Pete Wine & Food Festival is a showcase for this vibrant city!
Set against the backdrop of sun dappled Tampa Bay, the 2nd annual St. Pete Wine and Food Festival is in full swing now from November 3 – 6. St. Petersburg, Florida has established itself as an art and restaurant destination on the Gulf of Mexico coast. From stunning restorations of historic hotels to vibrant arts districts and such new restaurants as Sea Salt offering 130 artisan salts to stimulate one’s palate, St. Petersburg is a world class city content that it will be on everyone’s travel and food list.
One does not normally think of a supermarket chain and fine food in the same sentence. Yet Publix is not only the major sponsor of the St. Pete Wine and Food Festival, it has positioned itself as a choice equal to its amiable competitors Trader Joes and Whole Foods. The surprises don’t end there because a significant percentage of the festival’s profits go to the St. Petersburg Arts Council and the Waterfront Parks Foundation.
Lest one think St. Petersburg is an example of the old joke that Florida is ‘God’s little waiting room,’ The SPWFF attendees are from all age ranges offering such events as Tequila tasting and Beer nights! St. Petersburg is attracting residents from a vibrant cross section of educated world citizens that thrive on the arts, sun, beach, boating and fine food. An explosion of fascinating venues more than satisfies all of these eclectic tastes.
After Beer Night St. Pete tonight November 4 at the St. Pete Wine & Food Festival get ready for the signature event both Saturday and Sunday afternoons November 5 and 6 – the Grand Tasting. Sample dishes from dozens of area restaurants and wineries and watch Tampa Bay’s most talented chefs create signature dishes in the demonstration tent.
I dislike the term bucket list. I especially dislike it when it’s attached to travel. Adventure and exploration should be the impetus for travel, not checking off a predetermined list of must-see destinations.
Yet when it comes to life, reflecting on one’s innermost aspirations is healthy. How often do we express, especially to ourselves, “No, I can’t do that.” I’m not capable, talented, have no time, I’m afraid.
That’s the thought behind Saint Petersburg’s “Before I die…” wall located at 1049 Central Avenue in the heart of the Grand Central Arts District. A safe place to publicly express our aspirations shares a street bustling with cafes, art galleries and murals created by some of the city’s most talented artists.
A plastic bag of large colored chalk is available for all to use. The Before I die wall project started in New Orleans several years ago and has grown in popularity. I found it challenging, which sounds odd for a professional writer.
I also found reading the wall profoundly moving. I didn’t want to leave. I felt inspired and humbled by the aspirations of others in a way no bucket list blog ever achieved.
Saint Petersburg has been undergoing a major revival ever since the late 1990s despite the 2007 recession. Sprawling neighborhoods that radiated from a once decaying downtown were inconsequential to the trend towards the urban renewal of the 1960s-1980s, which often resulted in the destruction of low-rise residential and commercial streets. In the past decade a steady influx of young professionals with families, artists and entrepreneurs have found a treasure trove of Craftsman and art deco housing and sturdy commercial structures.
In an enviable partnership between business owners and artists – some who got their start defacing decaying buildings with graffiti – vast walls have been transformed into stunning murals.
The nearly 50 murals decorate walls in Saint Petersburg’s seven arts districts. And they’re not defaced. Provide a neighborhood with beauty and it will be respected.
Perhaps the greatest of human aspirations, when given a chance, is simply to be good.
You can read more articles by Marc d’Entremont at:
John Ringling was the greatest impresario of his day. He created the iconic circus venue of 20th century legends, and he knew how to make money.
Commenting on a huge portrait of Ringling in the grand hall of Ca’ d’Zan, the incisive social commentator of the 1920s, Will Rogers, said it was the first time he saw John’s hand in his own pocket…
The love of his life, Mabel, was also a savvy art lover especially of the popular Italian Venetian Renaissance era. With unlimited funds, John and Mabel prodigiously purchased great master artist of the era , furniture and a queen’s entire opera house. They employed top artist to paint original works of art throughout Ca’ d’Zan on ceilings, inside bathroom cabinet doors, on pillars – every square inch of this Venetian palace is art.
Ca’ d’Zan was Mabel’s project. It was meant from the outset to be a showplace, just like her husband’s circus. At a cost of $1,500.000 ($20,000,000 in 21st century dollars) the mid 1920s Venetian palace on the shore of Sarasota Bay is a palace.
Although Mabel died nearly a decade before John, he respected her wishes donating Ca’ d’Zan and its priceless art collection in his will to the state of Florida. Florida State University maintains the mansion, its art museum and the opera house as an integral component of its Sarasota campus.
You can read more articles by Marc d’Entremont at:
Tiffany conjures images of ultimate luxury. Diamonds and gleaming silver flood our minds at the sound of that name. Yet Louis Comfort Tiffany, son of Tiffany & Company founder Charles, was an artistic polymath who put his stamp on paintings, shimmering glass, mosaics, architecture, pottery, bronze and objet d’art. He was the genius that reinvented interior design for the generation of the Gilded Age.
For lovers of Art Nouveau in America as envisioned by Louis Comfort Tiffany (1848 – 1933) mecca is the Morse Museum in Winter Park, Florida. The Charles Hosmer Morse Museum of American Art owns the largest and most comprehensive collection of Tiffany art in the world. Like the era that fostered both Louis Comfort Tiffany and affluent Winter Park, the museum is the product of a vast Gilded Age fortune.
Jeannette Genius (1909-1989) was the granddaughter of Chicago industrialist Charles Morse. Charles had a keen appreciation for art and warm Florida winters. First wintering and then retiring to this wealthy suburb of Orlando in the late 19th century, Charles Morse became a major benefactor and real estate baron in Winter Park.
Jeannette’s mother, Elizabeth Morse Genius, was an accomplished artist and patron of the era’s modern art – American impressionism, and Tiffany Studios. Jeannette inherited both wealth and an artistic passion, pursuing her own successful career as an interior designer. After spending much time with her grandfather in Winter Park she chose the town as her permanent residence.
Her family’s philanthropy had already made a mark on Winter Park’s Rollins College, and at the age of 27 Jeannette started a decades-long association on the Board of Trustees. More importantly she met and married a dashing Rollins art professor, Hugh McKean (1908-1995) who himself had an intimate connection to Louis Comfort Tiffany.
Tiffany had designed his magnificent Long Island estate, Laurelton Hall, in 1903 as a showcase for everything he loved. He intended that it would eventually become a residential institution to foster young artists. In 1930 a young Hugh McKean spent months at Laurelton Hall as one of Tiffany’s students. Although Hugh’s family was well to do, it was the match of love, art and Jeannette’s vast fortune that allowed the couple to fulfill their dream.
It’s difficult to believe that even before the death of Louis Comfort Tiffany in 1933, his designs had become passé. During the 1940s and 1950s Jeannette and Hugh amassed a personal collection in every medium of Tiffany Studios designs. They established the Morse Museum and the Charles Hosmer Morse Foundation, which owns and funds museum operations. More importantly, through their work they revived the keen international interest in Louis Comfort Tiffany that grows stronger as time passes.
Upon hearing in 1957 of the tragic fire that destroyed Laurelton Hall they set out to salvage and restore everything they could from stained glass windows, architectural artifacts and Tiffany’s masterpiece, the Byzantine Chapel he designed for Chicago’s 1893 Columbian Exposition. The chapel was a creation of love and a marketing tour de force that catapulted Tiffany’s career to international fame. From its hand carved door, shimmering mosaics, stunning blue baptistery window to the revolutionary eight by ten foot, three dimensional Byzantine cross, the Electrolier, electrified with the aid of Thomas Edison, the chapel alone is worth a visit to the Morse Museum.
A visit to the Morse Museum is more than just gazing at beautifully displayed art. It’s meant to be an educational experience on Tiffany’s life and genius. Free detailed booklets in each gallery meticulously explain the exhibits. The lighting is stunning, illuminating objects in the manner intended for their original owners and eliciting sounds of awe as glass comes alive in shimmering glory. Archival videos and displays demonstrate the actual methods used by Tiffany Studio artists to create these magnificent objects.
An entire wing of the museum recreates as much as possible the feel of Laurelton Hall as Louis Comfort Tiffany would have wanted his guests to experience from the impressive entrance hall, his very modern dining room and what was salvaged of his beloved Daffodil Terrace. The Daffodil Terrace highlights Tiffany’s love for that flower and his skill in ceramics. In a glass walled enclosure complete with comfortable wicker chairs, the terrace invites museum visitors to relax, read and contemplate beauty. Contemplating beauty is the successful legacy of Tiffany, Jeannette, Hugh and the Charles Hosmer Morse Museum of American Art.
There are many parks in the United States but Homosassa Springs Wildlife State Park is an animal refuge. It’s also enjoyable to visit.
From the Florida brown bear to iconic bald eagles, these animals were rescued after injury. What may at first seem like a zoo is a haven for these beautiful creatures.
What was once a zoo-like Florida attraction starting in the 1940s became the Homosassa Springs Wildlife State Park in the ‘80s. The goal was to give refuge to animals indigenous to the tropics of the western hemisphere with one exception. Lucifer, the locally popular African hippopotamus, first purchased by the original developers, was designated a Florida citizen by the state legislature. The 50+ year old hippo enjoys a charmed life at the park.
The Homosassa springs bubble up from the depths of the Earth at a constant 72° F. This warm water attracts an abundant variety of fish and aquatic animals. The Fish Bowl underwater observatory provides a unique experience to view life under sea level.
In some cases the animals heal enough to be released back into the wild. A park ranger told a story of one owl they thought would not be able to fly after its injury. To their surprise, it was gone one day. Yet the owl seems to miss this refuge. She returns frequently and sometimes stays the night.
Of great importance is Homosassa Springs Wildlife State Park’s manatee program. The endangered manatee, the object of many fatal encounters with Florida pleasure boats, receive expert health care in a state of the art facility. The park is one of the finest locations to view this massive gentle mammal.
Your visit to Homosassa Springs Wildlife State Park starts with a slow and picturesque barge trip from the visitor’s center on the Homosassa River. Thickly lined with vegetation the fifteen minute trip is visually beautiful with sunlight creating mirror reflections in the slow moving water. The barge docks at the entrance to the mile-long path that meanders through the various wildlife habitats.
The park is well designed for disabled visitors, and given the reality that Florida summers are hot and humid, there are sitting areas and concessions selling items from bottled water to ice cream. The air conditioned reptile house is a quiet place to cool down. Knowledgeable rangers are eager to share their stories.
A day at Homosassa Springs Wildlife State Park is an enjoyable education of what our Earth can be like when humans live in harmony with nature.
Much is written in the media today concerning the inability to disconnect while on vacation – professionals glued to email and cell phones around the pool. Yet that’s hardly unique to the 21st century. In 1885 when Thomas Edison purchased 14 acres along the Caloosahatchee River as a winter retreat in the remote southwestern Florida farming hamlet of Fort Myers he had no intention of turning his mind off.
Although Thomas (1847-1931) Mina (1865-1947) and their children spent most winters at their Seminole Lodge estate, his office provides ample evidence he was still connected by correspondence to his invention laboratory at Menlo Park, NJ. Along with good friends Harvey Firestone and Henry Ford the Edison Botanical Research Corporation was established and a laboratory constructed on the estate in the 1920s. The goal was to make America independent of foreign rubber.
Edison dubbed Seminole Lodge his jungle. He and Mina surrounded their home with lush gardens. But first, they had to construct the houses.
The railroad was not extended to Fort Myers until 1904, which meant convenient travel was by ship. A 1,500 foot pier was built as a landing for family, guests and the materials necessary for Seminole Lodge. Prefab houses were also not new to the 21st century. The lumber for the two identical mirror-image houses that are Seminole Lodge was fabricated in Maine, shipped to Fort Myers and assembled on site.
The adjacent second house was originally the winter home of business partner Ezra Gulliland, but was bought back by Edison after a serious split with Gulliland. The spacious, airy wood structures were connected with a pergola and the second house turned into combination guest quarters, dining room and kitchen for Seminole Lodge. Both houses were electrified, of course, with power from both generators and batteries – all the product of Edison’s fertile mind.
Children of America’s great industrial age, Thomas and Mina were friends with other magnates of the day, especially Henry Ford. A frequent guest of the Edisons at Seminole Lodge, Ford purchased the beautiful yet modest Craftsman house in 1916 adjacent to Seminole Lodge. Although the Fords only used the home for two weeks each winter to celebrate Edison’s birthday, their friendship and business partnerships were life-long.
After Thomas Edison’s death at age 84 in 1931 Mina continued to winter at Seminole Lodge. Mina was Edison’s second wife having been widowed in the early 1880s when only in his 30s. The daughter of an inventor, university educated and an employee at the Menlo Park lab, Mina was as much an intellectual equal to her husband as a wife.
Mina was active managing their households, the botanical gardens and the Edison business ventures. Edison was said to greatly appreciate Mina’s intellect and input in discussing his many theories for everything from the phonograph, electric batteries to motion picture cameras. In 1947 Mina deeded the estate to the City of Fort Myers on condition that it be preserved as a public memorial to her husband’s genius.
Henry Ford sold his house in 1947, and it remained a private home until the city purchased it in 1988. The Edison & Ford Winter Estates is operated and maintained as a non-profit offering a plethora of tours and activities including an extensive museum dedicated to the genius of these two men. A visit to Edison’s jungle is to step back to an age where great ideas were conjured in the mind rather than by an electronic device – although Thomas probably would have invented the computer if he’d had time.
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